J Bryner

Views:
1431
Jobs:
7
Location:
Seattle WA, United StatesUnited States
Specialty:
Commercial
Experience:
12 Years
Web site:
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J Bryner
A commercial photographer in the Seattle area for 12 years. Specializing in creative images for a variety of clients and uses. From people and lifestyle, to product drop outs and web. A little of everything keeps life interesting.
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Photo Critique By J BrynerPhoto Critique By J BrynerPhoto Critique By J BrynerPhoto Critique By J BrynerPhoto Critique By J Bryner
Photo Critique By J Bryner
Photo Critique
Views: 1275
Rating
8.6
Photographer: Simona Savoy
Camera:
Sony Alpha DSLR-A380
Critiqued by: J Bryner
Hi Simona, This is a nice image overall, I like the concept, and would love to see more of it. A series can often take you all the way down a road that you may not ha...
Photo Critique
Views: 1140
Rating
9.1
Photographer: KJ2099
Camera:
Canon Digital Rebel XTi
Critiqued by: J Bryner
KJ2099, This is a good effort. Keep it up.
Photo Critique
Views: 714
Rating
6.7
Photographer: Peyton Janicki
Camera:
kodak EasyShare C143
Critiqued by: J Bryner
Peyton, a good effort. Keep working your subject. This could be a very interesting image.
Photo Critique
Views: 740
Rating
8.6
Photographer: Ksenia Lebedeva
Camera:
Panasonic Lumix DMC-GF1
Critiqued by: J Bryner
Hi Ksenia, Your capture of the persimmon is a very nice capture. I can certainly see this on a kitchen wall.
Photo Critique
Views: 772
Rating
8.6
Photographer: Jennifer Waltmon
Camera:
Nikon D90
Critiqued by: J Bryner
Jennifer, you have a good eye for light, and a good eye for composition. Keep playing with the camera, I look forward to seeing more work.
Photo Critique
Views: 617
Rating
7.6
Photographer: patrick mc cullough
Camera:
nikon d40
Critiqued by: J Bryner
Over all this is a nice image of a tough critter to catch.
Photo Critique
Views: 585
Rating
8.4
Photographer: Eugene Roy
Camera:
Nikon D90
Critiqued by: J Bryner
This is a subjective thing. Macro flower photos are not usually my thing, but your composition and effect are nice. I like the abstract without losing the identity of...
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